About Vivienne Chow

Vivienne Chow is an award-winning journalist and critic specialising in arts, culture and cultural politics. She currently works as an independent writer and contributes to many international media outlets including BBCVariety, Quartz, Artsy, as well as the South China Morning Post. She is the recipient of the IJP Premium Fellowship Award 2018 by the Internationale Journalisten-Programme in Germany, the first Hong Kong-based journalist to receive the award. She returns to Berlin during the summer of 2018 to embark on a series of journalistic research projects revolving around the topic of art and cultural politics. 

Vivienne is a regular public speaker and moderator, and has lectured at several institutions including arts and culture journalism at the University of Hong Kong's Journalism and Media Studies Centre.

In 2014 Vivienne founded Cultural Journalism Campus, a non-profit educational initiative to promote cultural journalism and art criticism. The initiative was awarded a Merit in Arts Education by the Hong Kong Arts Development Council in 2015 and was nominated for the Best Soft Power Cultural Activation Award at the 2017 Leading Culture Destinations Awards in London, the only entry from Asia in this award category.  

Vivienne has written extensively about arts, culture and cultural politics over the past two decades. She was named one of the world's best young journalists while representing HK at the inaugural Berlinale Talent Press in 2004 at the Berlin International Film Festival. In 2015, Vivienne was awarded the prestigious IJP Fellowship for mid-career journalism training and cultural policy research in Berlin, Germany.

Previously Vivienne spent a total of 15 years at the SCMP covering arts, culture and cultural politics, such as the 2014 Umbrella Movement (Occupy Central) from a unique cultural perspective and the two-decade-long development of West Kowloon Cultural District. 

Vivienne holds a degree in journalism from CUHK and a master's degree in cultural studies from HKU researching cultural policy. Her MA dissertation Chinese elitism and neoliberalism: post-colonial Hong Kong cultural policy development: a case study is logged in the HKU libraries. She recently contributed an essay on Hong Kong's cultural industries to Creativity and Culture in Contemporary Greater China by Bridge21 Publications. She also writes a column for The Interpreter published by the Lowy Institute, an international diplomacy think tank in Australia. 

Follow Vivienne's updates on Twitter @VivienneChow, Facebook & Instagram
Contact Vivienne at vivienne@viviennechow.com


  1. For the greenhouse effect to perform as advertised the earth must be surrounded by a cold outer space, perhaps as low as 5 K. That explains how NOAA can claim that the naked earth would become a frozen ice ball at -430 F.

    In fact, earth is surrounded by hot outer space, i.e. 394 K, 121 C, 250 F. That’s why the International Space Station includes an ammonia refrigerant cooling system.

    The atmosphere does not warm the earth like a greenhouse but cools it like that reflective panel behind a car’s windshield.

    If the earth is actually hot without an atmosphere radiative greenhouse effect goes straight onto the historical trash bin of failed theories and all the handwavium, pseudo-science, horse manure pretending to explain it follows close behind.

    No greenhouse effect, no greenhouse gas warming, no man caused climate change nor global warming.

    A thirty-year illusion orchestrated by hustlers behind green velvet curtains.

    Spit out the Kool Aid, take the red pill of honest science and wake to reality.


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